Dat ass!
The delectable rear-end of newly signed Falcon Studios exclusive Benjamin Godfre, photographed by Thomas Synnamon.

“Move a little closer,
Things sure are looking up,
Heal me with your loving,
I need you, I need you, I need you so much .  .  .”
Rui da Silva featuring Cassandra Fox, ‘Touch Me’, 2001

Dat ass!

The delectable rear-end of newly signed Falcon Studios exclusive Benjamin Godfre, photographed by Thomas Synnamon.


“Move a little closer,

Things sure are looking up,

Heal me with your loving,

I need you, I need you, I need you so much .  .  .”

Rui da Silva featuring Cassandra Fox, ‘Touch Me’, 2001

“I scream at the top of my lungs,
It’s just fun,
It’s just fun .  .  .”

Tulisa, ‘Young’, 2012

“I scream at the top of my lungs,

It’s just fun,

It’s just fun .  .  .”


Tulisa, ‘Young’, 2012

(Source: g-uys)

19 Jul 2012 / Reblogged from stef4an-deactivated20130418 with 3,006 notes / boys scruff legs feet Tulisa Young 

All 187cm of the bearded Spanish treat Cristian Cruz.

“Hold me, I’ll give you all that you need,
Wrap your love around me,
You’re so excited,
I can feel you getting hotter, oh baby .  .  .”

The Pointer Sisters/Girls Aloud, ‘Jump (For My Love)’, 1984/2003

All 187cm of the bearded Spanish treat Cristian Cruz.


“Hold me, I’ll give you all that you need,

Wrap your love around me,

You’re so excited,

I can feel you getting hotter, oh baby .  .  .”


The Pointer Sisters/Girls Aloud, ‘Jump (For My Love)’, 1984/2003

Too many hot pics of (possible ginger?) Derek Theler!

Too many hot pics of (possible ginger?) Derek Theler!

He’s more than welcome to bunk with me if he needs a place to stay in London during the Olympics.

Danell Leyva for ESPN The Magazine: The Body Issue 2012, photographed by Peter Hapak


“Down low I’m gonna get you high, 

Cause I know how to blow your mind, 

Baby get ready for this cause it’s about to get serious …” 

Ricki-Lee Coulter, ‘Do It Like That’, 2012

I’d like to play with his parallel bar. 

Danell Leyva for ESPN The Magazine: The Body Issue 2012, photographed by Peter Hapak. 

“If you’re in it for real,
Go ahead, put it on me,
I know that you want me,
So take me .  .  .”
Heidi Montag, ‘Body Language’, 2009

I’d like to play with his parallel bar. 

Danell Leyva for ESPN The Magazine: The Body Issue 2012, photographed by Peter Hapak


“If you’re in it for real,

Go ahead, put it on me,

I know that you want me,

So take me .  .  .”

Heidi Montag, ‘Body Language’, 2009



Apologies to Chris Evans, but Carlos is the true Captain America.

Carlos Bocanegra for ESPN The Magazine: The Body Issue 2012, photographed by Richard Phibbs. 

“Where nothing could stop us, nothing forever,
Nothing could stop us, if we stick together .  .  .” 

The Sound of Arrows, ‘Into The Clouds’, 2011

Apologies to Chris Evans, but Carlos is the true Captain America.

Carlos Bocanegra for ESPN The Magazine: The Body Issue 2012, photographed by Richard Phibbs. 


“Where nothing could stop us, nothing forever,

Nothing could stop us, if we stick together .  .  .” 


The Sound of Arrows, ‘Into The Clouds’, 2011



Michael Albrecht for Design Scene, shot by Clifford Loh. 

“And when we come for you, 
We’ll be dressed up all in blue, 
With the ocean in our arms, 
Kissing eyes and kissing palms .  .  .” 

Florence + the Machine, ‘Spectrum (Say My Name)’, 2012

Michael Albrecht for Design Scene, shot by Clifford Loh


“And when we come for you, 

We’ll be dressed up all in blue, 

With the ocean in our arms, 

Kissing eyes and kissing palms .  .  .” 


Florence + the Machine, ‘Spectrum (Say My Name)’, 2012

“Mother will never understand, 
Why you had to leave, 
But the answers you seek, 
Will never be found at home, 
The love that you need, 
Will never be found at home .  .  .” 

Bronski Beat, ‘Smalltown Boy’, 1988

“Mother will never understand, 

Why you had to leave, 

But the answers you seek, 

Will never be found at home, 

The love that you need, 

Will never be found at home .  .  .” 


Bronski Beat, ‘Smalltown Boy’, 1988

I love how comfortable and relaxed he looks in that precarious position.

“On and on and on,
We are calling out and out again,
Never looking down,
I’m just in awe of what’s in front of me .  .  .”

Empire of the Sun, ‘Walking On A Dream’, 2008

I love how comfortable and relaxed he looks in that precarious position.

“On and on and on,

We are calling out and out again,

Never looking down,

I’m just in awe of what’s in front of me .  .  .”


Empire of the Sun, ‘Walking On A Dream’, 2008